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ÀÌ°æ¹Ì Kyoungmi Lee 'Last night and Neurath's boat'
ÀÌ°æ¹Ì Kyoungmi Lee 'Last night and Neurath's boat'
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ÀÌ°æ¹Ì Kyoungmi Lee 'Last night and Neurath's boat'
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2024-08-24 ~ 2024-10-26
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053-781-6802-054-373-6802 
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°í¾çÀÌ ÀÛ°¡·Î Àß ¾Ë·ÁÁø ÀÌ°æ¹Ì(b. 1977, °æÁÖ) ÀÛ°¡ÀÇ ´ë±¸¿¡¼­ÀÇ Ã¹ Àü½ÃÀÎ ¡®Last night and Neurath's boat(Áö³­ ¹ã°ú ³ëÀ̶ùÀÇ ¹è)¡¯ î÷´Â Áö³­ ÀÛ°¡Àû ¿©Á¤À» º¸¿©ÁÖ´Â ¿©·¯ ½Ã¸®ÁîÀÇ ÁÖ¿ä ÀÛÇ°ÀÌ Àü½ÃµË´Ï´Ù.

°³ÀÎÀûÀ¸·Î ¾Ï¿ïÇß´ø ½Ã±â¸¦ ÇÔ²² ÇÑ ¹Ý·Á¹¦ ¡®³ª³ª¡¯¸¦ ĵ¹ö½º, À¯¸®º´, ¿ìµåÆгΠµî¿¡ ´ã¾Æ ÀÚ½ÅÀ» ´ëº¯ÇØ¿Â ÀÌ°æ¹Ì ÀÛ°¡ÀÇ ¿ìÁÖº¹À» ÀÔÀº °í¾çÀÌ <³ª³ª¾Æ½ºÆ®·Î>½Ã¸®Áî, Ã¥À» ÅëÇØ ¼¼»óÀ» ÀÌÇØÇß´ø ÀÛ°¡ÀÇ °ú°Å¿¡ ´ëÇÑ ½Ç¸¶¸®¿Í ÀÌ ¼¼»óÀ» ÀÌÇØÇϱâ À§ÇÑ ¾î¶² ¸öÁþ ¶Ç´Â ±×·± dz°æÀ» ÇϳªÀÇ Àå¸éÀ¸·Î ¸¸µç, ½Ã¸®Áî, ºÎǬ ²ÞÀÇ ÃʶóÇÑ Çö½ÇÀ» ¸¶ÁÖÇÑ µí ÆØÆØÇÏ°í È­·ÁÇÏ°í ¹Ý¦À̴ dz¼±ÀÌ ¹Ù¶÷ÀÌ ºüÁ® Âî±×·¯Áø ½Ã¸®Áî, ÀÛ°¡¸¸ÀÇ Æ¯º°ÇÑ ¹æ½Ä(°íÀü¼­ÀûÀÇ ÆǺ»À» ¹ÙÅÁÀ¸·Î ÀâÁö, ¸¸È­Ä³¸¯ÅÍ, ŸÀÌÆ÷±×·¡ÇÇ µî)À¸·Î ÀÛ°¡ÀÇ Èï¹Ì¿Í ¾ÖÁ¤À» À̲ø¾î³½ ½Ã´ëº° ´Ù¾çÇÑ ¿¹¼úÀ» °ã°ãÀÇ ·¹À̾î ÀÛ¾÷À» ÅëÇØ Ç¥ÇöÇÏ¸ç °ú°Å¿Í ÇöÀçÀÇ ½Ã°£¼ºÀÌ ÁßøµÇ´Â <´º ¹öƼÄà ÆäÀÎÆÃ>½Ã¸®Áî µîÀÇ ÁÖ¿ä ÀÛÇ°°ú <Video & Installation> ÀÛÇ° 20¿©Á¡ÀÌ Àü½ÃµË´Ï´Ù. ƯÈ÷ ÀÌ°æ¹Ì ÀÛ°¡´Â ȸȭ ÀÛÇ°¿¡ °íÁ¤µÈ »óÀ» Á¦½ÃÇÏ´Â °ÍÀÌ ¾Æ´Ñ ÀúºÎÁ¶ µîÀ¸·Î »ý¹°ÇÐÀû Âø½Ã¸¦ ¸¸µé¾î ¼¼»óÀÏÀÌ ÇϳªÀÇ ¼Ò½ÇÁ¡À¸·Î ±Í°áµÇÁö ¾Ê´Â ´Ù´Â Á¡À» ÀÛÇ°¿¡ µå·¯³»°íÀÚ Çϸç, °è¼Ó ÀÛÇ° ¼¼°è¸¦ È®ÀåÇØ¿À°í ÀÖ½À´Ï´Ù.</p>

È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇÐ ÆÇÈ­°ú¿Í ȸȭ°ú Á¹¾÷(2000, 2004) ¹× µ¿´ëÇпø ȸȭ°ú Á¹¾÷(2006)ÇÑ ÀÌ°æ¹Ì ÀÛ°¡´Â ¹Ì±¹°ú µ¶ÀÏÀ» °ÅÃÄ ÇöÀç´Â Çѱ¹»Ó ¾Æ´Ï¶ó È«Äá, ´ë¸¸, Áß±¹ µîÀÇ ¿©·¯ °¶·¯¸®¿Í ¹Ì¼ú°ü ¹× ÇÁ·ÎÁ§Æ®¸¦ ÅëÇØ È°¹ßÈ÷ ÀÛÇ° È°µ¿À» ÇØ ¿À°í ÀÖ½À´Ï´Ù. 2019³â¿¡´Â ¾Ëºê·¹È÷Æ® µÚ·¯ '¿äÇÑÀÇ ¹¬½Ã·Ï¡¯ ¿øÈ­¸¦ ¹ÙÅÁÀ¸·ÎÇÏ¿© µ¿½Ã´ë¼ºÀ» ´ãÀº '´º ¹öƼÄà ÆäÀÎÆÃ' ½Ã¸®Á ¹ßÇ¥ÇÏ¿´°í, 24ȸ ¼®Áֹ̼ú»óÀ» ¼ö»óÇÏ¿´½À´Ï´Ù.

The exhibition ¡®Last night and Neurath's boat¡¯ by artist Lee Kyoungmi (b. 1977, Gyeongju), renowned for her cat-themed artwork, marks her first solo exhibition in Daegu. This exhibition features significant works from various series, reflecting the artist's creative journey.

Among the principal works are those where Lee Kyoungmi has expressed herself through her beloved cat, Nana, depicted on canvas, in glass bottles, and on wood panels. This includes the series, which features cats in spacesuits. The and series provide clues about the artist's past and capture gestures or scenes representing her attempt to understand the world, as explored through her experiences with books. Meanwhile, the series presents deflated, crumpled balloons that were once inflated, vibrant, and shiny, reflecting the contrast between inflated dreams and their disappointing reality. Additionally, the series expresses various eras of art through layered work, reflecting the artist's interest and affection in a unique manner based on editions of classic books, magazines, comic characters, and typography. Over 20 pieces of

Lee Kyoung-mi, who graduated from Hongik University with a BFA in Printmaking (2000) and Painting (2004), and completed her Master¡¯s degree in Painting (2006), has lived and worked in the United States and Germany for about nine years. She is now actively involved in the art scene in Korea, as well as in various galleries, museums, and projects in Hong Kong, Taiwan, and China. In 2019, she presented the 'New Vertical Painting' series, which, based on Albrecht Durer's 'Apocalypse of John,' captures contemporary relevance, and received the 24th Seokju Art Prize.


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